Interdisciplinary Artist Marsian DeLellis is in residence at Automata developing a new performance work, Model Killer.
Model Killer is a morbid comedy centered on a disgruntled dollhouse-maker turned investigator. Vivian Nutt builds dioramas of unsolved murders, only for it to be revealed that she is in fact, a serial killer.
In Model Killer, DeLellis is creating a universe in which the audience is invited to reconsider female serial killers, the historically feminine craft of miniatures, and murder as entertainment.
Read more about Marsian DeLellis and Model Killer HERE.
MARSIAN DELELLIS D+R Residency Event
Sunday March 31, 2019 at 4 PM
Join Automata and Los Angeles Performance Practice for an open rehearsal of Marsian DeLellis' MODEL KILLER, including a reading of excerpts + work-in-progress presentation of two sections. Admission is free, Donations toward our residency program are warmly appreciated.
Reserve a free ticket HERE
RSVP is highly recommended, as seating is limited.
ABOUT THE ARTIST //
Marsian De Lellis (Writer, Performer, Creator) is an interdisciplinary artist who combines sculpture, objects, installation, performance and handmade spectacles to memorialize obsessional lives. Their work celebrates stories of unconventional people whose private manias become public fodder for tabloids and reality television. MarsianDeLellis.com //
Marsian DeLellis' work is also featured in the current 3 Person exhibition at Track 16 through May 11. More information HERE
ABOUT THE D+R RESIDENCY //
Automata and Los Angeles Performance Practice offer development residencies for artists creating new works of live performance. The program is designed to provide vital infrastructure for Los Angeles based artists, and places emphasis on work that reflects/connects to the unique histories, environments, communities, issues and artistic legacies that define it.
At:
AUTOMATA
504 Chung King Court
Los Angeles, CA 90012
automata-la@sbcglobal.net
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D+R Residencies are collaboratively offered by Los Angeles Performance Practice and Automata, and supported in part by a grant from the National Endowment for the Arts.